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Two poetics of author's theatre: Semafor and Studio Ypsilon
Baloušová, Lucie ; Smrčka, Jiří (advisor) ; Píšová, Ina (referee)
The diploma thesis focuses on small scene theaters which developed in the 1950s and represent a unique generational movement within the Czech cultural framework. This final project aims to describe the distinctive poetics of two of the Czech small theaters - the theatre Semafor and Studio Ypsilon. The description itself is based on the analysis of the original dramatic texts produced by their main representatives, Jiří Suchý and Jan Schmid. The thesis opens with the domain of the small scene theaters as such, its definition and characteristics. In order to provide a comprehensive perspective on the matter, the authorial theater and its specifics is further discussed. The main part of this thesis then concentrates on the origins of the two theaters, their profiles during the period of 1960s to 1990s and, eventually, their present form. Finally, despite the different conditions of existence of the two theaters, and the cultural, historical and political context, a comparison of the two poetics is proposed. KEYWORDS small scene theatre, author's theatre, theatre Semafor, Studio Ypsilon, Jiří Suchý, Jan Schmid, drama, dramatic text, poetics
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The place of Ladislav Klíma on the Czech stage
Kozubíková, Tereza ; Topolová, Barbara (advisor) ; Sarkissian, Alena (referee)
The aim of the thesis is to describe chronologically the history of Ladislav Klima's inscenation in the Czech theaters based on historical reviews, articles, correspondence and diaries. This work deals with the original dramatic texts, as well as with some later dramtized literary works, with the emphasis on seven inscenations from the 1920s to the present day, Matěj Poctivý, Matějovo vidění (Stavovské a Národní divadlo, Studio Ypsilon, Divadlo v Dlouhé), Lidská tragikomedie (HaDivadlo, Stavovské divadlo) and Utrpení knížete Sternenhocha (Divadlo Komedie). The thesis describes the creative process of production of inscenations, their acceptance by the theater supervisors and actors, explores the transformation of the original text in relation to the poetics of the theater, follows different interpretations of directors. Based on the study of sources it also tries to capture their audience feedback and critical reflections. The work includes in the attachment an interview with the director of two Klima's inscenations Arnošt Goldflam and a list of researched inscenations . Powered by TCPDF (www.tcpdf.org)
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